1 thought on “What is the traditional Tibetan costume”
Tony
Tibetan clothing is mainly traditional Tibetan clothing, which is characterized by long sleeves, wide waist, and big plackets. Women wear long -sleeved robes in winter, have no sleeve robe in summer, shirts of various colors and patterns, and a colorful pattern apron in front of the waist. So what is the traditional costume? Let me introduce it to you, I hope to help you. Tibetan traditional clothing: Tibetan robe The Tibetan robe is the main costume of Tibetan. There are many types. From the texture of the clothes, you can be divided into brocade, leather noodles, 氆氇, and plain cloth. The decorative decoration of the Tibetan robe is very particular. In the past, the monk officials had different grades and strictly tied the pattern. Because the Tibetan robe was longer, it was generally longer than that of the body. When wearing, the hem was raised up. On the belt. Tibetan robes can be divided into pastoral robes, color sleeve robes, and agricultural areas. The style can be divided into long -sleeved robes. Gong cloth wide -shoulder sleeveless, sleeveless women's robe and Jiaxian flower collar robe, men and women wear There are two types of shirts: big plackets and pairing. Male shirts are high -necked women's multiple lapels. The sleeves of the women's shirt are about 40 cm longer than other sleeves. When dancing, put down the sleeve, dancing in the air, very beautiful. Another characteristic of Tibetan clothing is also prominently expressed in the increasing and composition of color in turn. The lace of the pasture area is commonly used in blue, green, purple, green, yellow, and rice, and forms a colorful belt in turn. The shoulders, hems and cuffs of women's robes are often arranged in order of nearly 10 cm wide black, red, green, and purple stripes. They boldly use red and green, white and black, red, blue, yellow and purple and other contrasts, and cleverly use compound colors, gold and silver threads to obtain the artistic effects of pits and harmony. Tibetan traditional costumes: Gang Dian Gangdian is the apron. It is a unique costume of Tibetan. It is a must -have decoration for married women. Tibetan traditional clothing: Tibetan hats The Tibetan hat -like style and different texture. There are one or twenty types of golden flower hats and puppet hats. Tibetan boots are one of the important features of Tibetan clothing. The common "Sakara" flower boots are common. The bottom of the boots is made of cotton leather. Tibetan traditional costumes: head jewelry pendant The headdress and jewelry occupy an important position in the Tibetan dress. The pendant gowns with the waist are the most distinctive, and the jewelry is mostly related to ancient production. The texture of gold and silver jewelry and headdress is copper, silver, gold carving utensils and jade, corals, pearls and other treasures. The expression of Tibetan traditional jewelry depends on the ideological concepts, social forms, and traditional production lifestyles of the Tibetan nation, especially the traditional nomadic life. Wearing a hanging, and moving around to find a place where waterweeds are abundant, it is both safe and convenient. Therefore, the Tibetan nation is wearing not only clothing ornaments, but also a huge property, which shows not only beauty, but also symbolizes luxury and wealth. The increasingly perfect Tibetan clothing culture has rich cultural connotations and diverse levels. It has certain structural characteristics, many levels and regional differences, and some specific clothing systems. The Tibetan people are a part of the indigenous residents of the Qinghai -Tibet Plateau and the ancient dumplings. This is almost the consensus of the historian community. They all live on the roofs of the world with high terrain, cold climate, and harsh natural conditions. They are mainly animal husbandry and agriculture. skirt. In order to adapt to the liquidity of the pastoral production living in water -ray and grass, large plackets and waists have been gradually formed, leaving a prominent gap (exactly like bag) in front of the chest, so that you can store butter, ravioli, tea, rice bowl, and even even when going out. You can put children, when you are hot or working, you can expose your right or arms as needed, tie your sleeves in the waist, adjust your body temperature, and then put it on when you need it. Take off your double sleeves and put half a cover, which becomes a warm big sleeping bag. It can be described as a multi -purpose. Of course, these methods and functions cannot be prepared a day, and you don't have to test in detail. However, this tone of Tibetan is not difficult to imagine. Some people have studied bronze images and ancient murals before and after the Western Han Dynasty. They found that the ancient people are extremely similar to today's Tibetan costumes. Clothing, etc., are amazing, indicating that Tibetan clothing has a strong stability, which is the best explanation of the ecological environment and lifestyle determines the shape of clothing. In terms of level differences, the structure of the aristocratic robe and the folk hug does not have a fundamental difference. The difference is mainly manifested in texture and pattern. The aristocratic clothing is fine in texture, and the pattern is particular. Generally, there are python satin robes, which are tone by yellow, red, blue, green, white, purple and other colors, and there are "Jianxi" patterns (dragon, water, fish, cloud and other patterns). This robe is often used by officials with more than four grades, or when they are held in etiquette for major festivals. "Caishabama Garga" robe (lotus phoenix brocade robe) is a satin robe with lotus and phoenix patterns. Ordinary Tibetan robes of the New Year. In addition, there are Tuanhua brocade robe, "curvature towel" robe, etc., are precious Tibetan robes of senior aristocrats such as Lhasa Richee. The history of historical books for the costumes of the Eighteenth century, the costume records of Karen Poqi, provided us with precious materials for the clothing of the upper nobles and local government officials at that time. Judging from the situation reflected in the book, at the time, the aristocratic clothes were usually wearing a five -color brocade texture without small sleeves. On a major festival day, wearing a python pattern, a mink shawl, a coat underneath, a golden silk ribbon, a small knife and purse, etc. In addition to Dai Ping's top hat, the rest of the costumes are roughly the same as Po Luo. In addition, the bone plate of the hand is also the bone board, the rosary, the literati, the waist of the literati inserted a scabbard like a scabbard, the inner stationery, Tibetan ink bottle and other stationery. During the festival, these subordinate officials stabbed their hair into one or two buns, wearing a wing -free white gauze hat (Tang Dynasty Jinshi hat), a gold -paused green earrings, right earrings corals, and a large collar wearing otter leather. The sleeve short brocade, the cuffs are connected by five colors of brocade, wearing black furry skirts, and a large red flower satin. The above -mentioned aristocratic clothing, except for the iron -free white gauze hat and the iron tube of the stationery, other clothing is still popular today.
Tibetan clothing is mainly traditional Tibetan clothing, which is characterized by long sleeves, wide waist, and big plackets. Women wear long -sleeved robes in winter, have no sleeve robe in summer, shirts of various colors and patterns, and a colorful pattern apron in front of the waist. So what is the traditional costume? Let me introduce it to you, I hope to help you.
Tibetan traditional clothing: Tibetan robe
The Tibetan robe is the main costume of Tibetan. There are many types. From the texture of the clothes, you can be divided into brocade, leather noodles, 氆氇, and plain cloth. The decorative decoration of the Tibetan robe is very particular. In the past, the monk officials had different grades and strictly tied the pattern. Because the Tibetan robe was longer, it was generally longer than that of the body. When wearing, the hem was raised up. On the belt. Tibetan robes can be divided into pastoral robes, color sleeve robes, and agricultural areas. The style can be divided into long -sleeved robes. Gong cloth wide -shoulder sleeveless, sleeveless women's robe and Jiaxian flower collar robe, men and women wear There are two types of shirts: big plackets and pairing. Male shirts are high -necked women's multiple lapels. The sleeves of the women's shirt are about 40 cm longer than other sleeves. When dancing, put down the sleeve, dancing in the air, very beautiful. Another characteristic of Tibetan clothing is also prominently expressed in the increasing and composition of color in turn. The lace of the pasture area is commonly used in blue, green, purple, green, yellow, and rice, and forms a colorful belt in turn. The shoulders, hems and cuffs of women's robes are often arranged in order of nearly 10 cm wide black, red, green, and purple stripes. They boldly use red and green, white and black, red, blue, yellow and purple and other contrasts, and cleverly use compound colors, gold and silver threads to obtain the artistic effects of pits and harmony. Tibetan traditional costumes: Gang Dian
Gangdian is the apron. It is a unique costume of Tibetan. It is a must -have decoration for married women.
Tibetan traditional clothing: Tibetan hats
The Tibetan hat -like style and different texture. There are one or twenty types of golden flower hats and puppet hats. Tibetan boots are one of the important features of Tibetan clothing. The common "Sakara" flower boots are common. The bottom of the boots is made of cotton leather.
Tibetan traditional costumes: head jewelry pendant
The headdress and jewelry occupy an important position in the Tibetan dress. The pendant gowns with the waist are the most distinctive, and the jewelry is mostly related to ancient production. The texture of gold and silver jewelry and headdress is copper, silver, gold carving utensils and jade, corals, pearls and other treasures. The expression of Tibetan traditional jewelry depends on the ideological concepts, social forms, and traditional production lifestyles of the Tibetan nation, especially the traditional nomadic life. Wearing a hanging, and moving around to find a place where waterweeds are abundant, it is both safe and convenient. Therefore, the Tibetan nation is wearing not only clothing ornaments, but also a huge property, which shows not only beauty, but also symbolizes luxury and wealth.
The increasingly perfect Tibetan clothing culture has rich cultural connotations and diverse levels. It has certain structural characteristics, many levels and regional differences, and some specific clothing systems. The Tibetan people are a part of the indigenous residents of the Qinghai -Tibet Plateau and the ancient dumplings. This is almost the consensus of the historian community. They all live on the roofs of the world with high terrain, cold climate, and harsh natural conditions. They are mainly animal husbandry and agriculture. skirt. In order to adapt to the liquidity of the pastoral production living in water -ray and grass, large plackets and waists have been gradually formed, leaving a prominent gap (exactly like bag) in front of the chest, so that you can store butter, ravioli, tea, rice bowl, and even even when going out. You can put children, when you are hot or working, you can expose your right or arms as needed, tie your sleeves in the waist, adjust your body temperature, and then put it on when you need it. Take off your double sleeves and put half a cover, which becomes a warm big sleeping bag. It can be described as a multi -purpose. Of course, these methods and functions cannot be prepared a day, and you don't have to test in detail. However, this tone of Tibetan is not difficult to imagine. Some people have studied bronze images and ancient murals before and after the Western Han Dynasty. They found that the ancient people are extremely similar to today's Tibetan costumes. Clothing, etc., are amazing, indicating that Tibetan clothing has a strong stability, which is the best explanation of the ecological environment and lifestyle determines the shape of clothing.
In terms of level differences, the structure of the aristocratic robe and the folk hug does not have a fundamental difference. The difference is mainly manifested in texture and pattern. The aristocratic clothing is fine in texture, and the pattern is particular. Generally, there are python satin robes, which are tone by yellow, red, blue, green, white, purple and other colors, and there are "Jianxi" patterns (dragon, water, fish, cloud and other patterns). This robe is often used by officials with more than four grades, or when they are held in etiquette for major festivals. "Caishabama Garga" robe (lotus phoenix brocade robe) is a satin robe with lotus and phoenix patterns. Ordinary Tibetan robes of the New Year. In addition, there are Tuanhua brocade robe, "curvature towel" robe, etc., are precious Tibetan robes of senior aristocrats such as Lhasa Richee. The history of historical books for the costumes of the Eighteenth century, the costume records of Karen Poqi, provided us with precious materials for the clothing of the upper nobles and local government officials at that time. Judging from the situation reflected in the book, at the time, the aristocratic clothes were usually wearing a five -color brocade texture without small sleeves. On a major festival day, wearing a python pattern, a mink shawl, a coat underneath, a golden silk ribbon, a small knife and purse, etc. In addition to Dai Ping's top hat, the rest of the costumes are roughly the same as Po Luo. In addition, the bone plate of the hand is also the bone board, the rosary, the literati, the waist of the literati inserted a scabbard like a scabbard, the inner stationery, Tibetan ink bottle and other stationery. During the festival, these subordinate officials stabbed their hair into one or two buns, wearing a wing -free white gauze hat (Tang Dynasty Jinshi hat), a gold -paused green earrings, right earrings corals, and a large collar wearing otter leather. The sleeve short brocade, the cuffs are connected by five colors of brocade, wearing black furry skirts, and a large red flower satin. The above -mentioned aristocratic clothing, except for the iron -free white gauze hat and the iron tube of the stationery, other clothing is still popular today.